Current Music

“SMELLS LIKE TEEN SPIRIT” UNITES OVER 1,000 MUSICIANS

February 2, 2017

Rockin’ 1000 – July 2016 | Photo: Andrea Bardi

Moments like these prove that music has power. In a time of global uncertainty and fear, this is the ultimate example of how music brings people together, spreads joy and unites us with a communal experience. Add 1,200 musicians playing simultaneously and it’s undeniable.

The group of 1,000 Italian musicians known as Rockin’ 1000 formed in 2015 in an effort to convince the Foo Fighters to play a show in their city of Cesena. After their united performance of “Learn to Fly”, the Foo Fighters played there in November of 2015.

This past July, “The Biggest Rock Band on Earth” (now boasting 1,200 members) came together to perform a concert of rock anthems by David Bowie, Jimi Hendrix, Led Zeppelin, The Ramones, The White Stripes, Nirvana, The Black Keys, AC/DC, The Beatles, Blur, Steppenwolf, The Verve and Patti Smith. Last week Rockin’ 1000 posted the video of their chill-inducing performance of Nirvana’s “Smells Like Teen Spirit”.

With an egotistical, soul-crushing President sitting in the Oval Office, this beautiful example of people of all ages, genders, beliefs and identities performing together proves the infectious power of music and the strength that lies in united positivity.

Watch Rockin’ 1000 perform “Rebel Rebel” by David Bowie:

 

Current Music

BEHIND THE ALBUM: FOR EVELYN – HANNAH GEORGAS

January 3, 2017

albumcover-hannahgeorgas-forevelyn

Since the 2012 release of her self-titled album, Hannah Georgas has been one of our favourite indie artists. Her ability to sculpt enveloping atmospheres of sound that lift you into narrated musical dream worlds has grown only more powerful on her latest album. For Evelyn is a deeply personal and introspective album resulting in a mature and cohesive collection of songs. As Georgas reflects on the fear of losing her mother, the pain of her father’s death, her struggle to believe in herself, and her admiration for her grandmother (for whom the album is named after), her soft upper register delivers the lyrics of loss, self-doubt, fear and precious moments of joy with undoubted sincerity. Produced by Graham Walsh (Holy Fuck) and mixed by Nicolas Vernhes (The War on Drugs), For Evelyn is a foggy haze of a soundscape thick with warm horns, fuzzy synths and Georgas’s tender, distant vocals. Powered by Georgas’s emotionally charged vocals, her fearlessly honest lyrics and the beautiful craftsmanship of the album, For Evelyn was named one of SBTS‘s 10 Best Indie Albums of 2016.

Hannah Georgas recently shared with Stories Behind The Songs the story behind the creation of For Evelyn:

“In the fall of 2014 I started working on this album. At the time I was living in my apartment in Vancouver and had just finished my last album cycle. I made an effort to write as much as I possibly could for 6 months. I wrote a lot of songs during that span of time but 20 or so made the cut. In the spring of 2015 I moved to Toronto and began the recording process with my producer Graham Walsh. We worked on and off on the album up until the end of 2015. I went through a lot of transition during that whole process. I had been living on the West Coast for 12 years and decided it was time to head back east. I think this album reflects a lot of change and introspection that was going on in my life at the time.”

Now Hannah Georgas dives further into the album and shares the stories behind each song on For Evelyn with Stories Behind The Songs. Here is an inside look Behind The Album, Track by Track:

 

“Rideback”

I had been working all day on an idea and I was feeling like it was kind of going nowhere. I took a little break from that path and started messing around with a saxophone preset on my keyboard. The lyrics just spewed out of me while I was playing this sax riff. The song was finished in under an hour I think. It’s always amazing when a moment like that happens in songwriting. It feels like it’s a little gift that has been given to you from an outside source.

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SBTS Playlist Series

2016 COUNTDOWN – THE SBTS NEW YEARS PARTY PLAYLIST

December 29, 2016

We’ve turned the best music of 2016 into the perfect New Years party soundtrack! Our favourite hits of the year have been curated into over four hours of music to party away the year to!

Listen on Spotify for the complete playlist (due to label restrictions, some songs are restricted from YouTube).

Follow Stories Behind The Songs on the Spotify app by entering spotify:user:storiesbehindthesongs into the search bar.

Listen to more of our curated playlists with the Stories Behind The Songs Playlist Series.

Subscribe to the Stories Behind The Songs YouTube and Spotify channels to stay connected to our curated Stories Behind The Songs Playlist Series.

SBTS Playlist Series

Holiday Party Playlist | SBTS Playlist Series

December 21, 2016

The Holiday Party Playlist is curated with some of our favourite holiday songs. From soulful covers by Otis Redding, Booker T. & the M.G.’s, Albert King and Clarence Carter to newly released Christmas music from The Lumineers, She & Him, Kacey Musgraves and Leon Bridges, our Holiday Party Playlist brings the Christmas spirit!

Listen to last year’s curated holiday playlist, Mistletoe Music for more of our favourites!

Follow Stories Behind The Songs on the Spotify app by entering spotify:user:storiesbehindthesongs into the search bar.

Listen to more of our curated playlists with the Stories Behind The Songs Playlist Series.

Subscribe to the Stories Behind The Songs YouTube and Spotify channels to stay connected to our curated Stories Behind The Songs Playlist Series.

Interviews

JESSE MAC CORMACK CARVES HIS SPACE WITH AFTER THE GLOW | The SBTS Interview

December 15, 2016

Jesse Mac Cormack | Photo: Joannie Grenier

Montréal’s Jesse Mac Cormack is a bit of a mystery. His engaging eyes and sweet, easy smile are contrasted by his long, thoughtful silences that craft short, careful responses. His sparse details seem to guard him against exposure yet he never passes on a question. Perhaps Mac Cormack wants his music to speak louder than he does. If that’s the case, we’ll gladly turn it up. His latest EP is one of our favourite releases of the year.

After the Glow is alive with suffering and stimulation. “Repeat” is a furious freight train of chugging rhythm that explodes with the crashing of cymbals and Mac Cormack’s guttural wails. The title track’s unresolved acoustic strums feel like relentless stabs of pain. “Death Row” rips your heart out, then drops you into moments of silence to stare at it. This use of space – the absence of sound or sudden change in tempo or instrumentation – is Mac Cormack’s signature on each song creating an album that pulses with emotion and stands up to repetitive listening.

The record’s power lies in its raw, emotionally-charged vocals and rhythmic control – two characteristics that bind each track into a cohesive collection of songs. Written, recorded, produced and performed almost entirely by Mac Cormack in his home studio, After the Glow is the mark of a brilliant multi-disciplinary musician and his artistic vision.

Jesse Mac Cormack sat down with Stories Behind The Songs and talked about his artistic approach and the feeling of creating something out of nothing.

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Interviews

DIANA – GETTING INTROSPECTIVE WITH CARMEN ELLE | The SBTS Interview

December 6, 2016
DIANA

DIANA | Photo: Laurie Kang

DIANA took the indie music scene by storm in 2013 with their debut album Perpetual Surrender. Almost by accident, the band achieved enormous critical and commercial success without ever even playing live together. Formed out of the desire to make use of excess studio time that drummer Kieran Adams and saxophonist Joseph Shabason had, Carmen Elle joined what was conceived as a one-off recording project. They never expected their collaboration to explode like it did.

After posting their album on SoundCloud, the first single, “Born Again“, blew up. One after one, singles from Perpetual Surrender became hits, making DIANA one of the most exciting new indie bands of the year. Suddenly, this one-off recording project was now a band being courted by record labels and booked to tour. DIANA signed to Jagjaguwar and by 2014, Perpetual Surrender had been nominated for the Polaris Music Prize.

The whirlwind of the album’s success propelled the band through a long period of extensive touring and promotion so it’s no surprise that when the time came to begin constructing their second album, they packed up their gear and retreated to a Quebec cottage to write and record what would become Familiar Touch. This time around, DIANA was a fully formed band who had an established fan base and a history of critical praise. They took their time. In stark contrast to the two weeks of studio time that gave birth to Perpetual Surrender, the band spent over five months meticulously writing and recording their sophomore record.

After completing Familiar Touch, DIANA experienced another landmark moment in their career that would further cement their bond as a band. After presenting the finished album to Jagjaguwar, they faced creative differences resulting in the band leaving the label and signing with Culvert MusicFamiliar Touch, in its unaltered form, was released last month and has been received with enthusiastic reviews championing DIANA’s vision and belief in their album.

While DIANA’s accomplishments are what most musicians dream of achieving, the nonstop pace of capitalizing on success can often feel like a struggle. Carmen Elle opened up to Stories Behind The Songs about DIANA’s triumphs and challenges over past three years, showing the grit it takes to succeed in this industry. Before heading out on tour, Elle revealed to SBTS how the band really felt about their first record, her battle with being a musician while coping with touring anxiety, her unique approach to songwriting, the process of creating and defending Familiar Touch, and the whirlwind that has been life in DIANA.

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